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How to list UK audition experience on a resume form?

I recently took an audition for a UK orchestra, and am unsure how to translate the experience to US audition format for a resume form. Would appreciate any advice from those familiar with the process!


The audition comprised two rounds, with the expectation they would offer whatever number of trials after the second round. And those trials could go on for months or years.


I submitted my resume, and I was shortlisted. Yay! I was invited to the first round, where there were ~35 candidates. However, I did not advance to the second round.


Translating this to a US form-- Should this functionally be viewed as not making it out of prelims? Or is it somewhere between prelims and semis? Or semis? I understand it was a relatively small invite list, so I was happy to make that cut at least.

64 Views
cello67cello67

Auditon Packets

A flute player asked a similar question but I’m a cellist so it’s a little different

When provided music for excerpts, there is often bowings and fingerings. But the audition is behind a screen for most of these places… anyone have experience changing these things and just making sure you achieve the goal of the fingerings and bowings or should I follow them precisely?

559 Views
viola12418
28 февр.

There are exceptions, but for the most part, you don’t need to follow their bowings or fingerings unless it specifies that you must (and I’ve only seen that demanded upfront with a few very regional orchestras or schools). Much more common is something along the lines of “you may use your own music, but be prepared to use our parts,” so you should always practice their bowings just in case, though I’ve never seen that applied to fingerings. General rule of thumb is to play how you sound your best and be ready to adapt if they ask you to do something different. If they like your playing but want to hear it a certain way, they’ll ask.

 

Almost every packet I’ve ever received has either been totally clean or just a photocopy from the part they have in the library. Those markings are generally how the orchestra played the piece last, which might be how they still play it. Or it could have been from 20 years ago with a different conductor/principal/concertmaster. 🤷

Minnesota hasn't released the viola audition rep list (3/2026)

...or I'm having a senior moment with technology.


Their website has a link to the application portal, but I cannot find the repertoire list. Audition day is ~5 weeks out, application closes in two weeks.


Anyone know what the rep is? I'm getting antsy.

1211 Views
notabassplayer
30 янв.

Probably the list is still being talked about by the committee or something...have you reached out to their personnel manager? Or is it possible that info on list release date was communicated in a followup email after application? I'd be antsy too lol.

T-RexFlute🦖T-RexFlute🦖
T-RexFlute🦖

Can you change Mozart editions in an Orchestral audition recording round?

I’m new to auditioning. Can I choose what Mozart edition I use for an orchestral audition? The orchestra has a random Mozart in G exposition in the packet; however, I feel like that edition is not historically accurate in the use of articulation. Would it be okay if I were to use a different edition of the exposition in the recoding auditions and/or the real audition?

892 Views
Kreisler
30 янв.

It's absolutely fine to discard the provided part for concertos. For excerpts, you'll want to use what's provided, unless it contains obvious errata.

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