Some auditions have separate dates (a week or more apart) between rounds. Is there any available info about which orchestras fund travel and lodging for the second date and which do not? I have seen the case where it's posted in the audition announcement that those who advance will have their travel for the second date covered, and also where travel ends up being covered despite it not being posted anywhere. Is there any universal regulation that requires orchestras to fund travel for a second round, or is it pretty common for people to expect to pay for a premium plane ticket and fly back if they advance? I'm curious because I genuinely have no idea, and imagine this impacts a lot of decisions on whether to attend auditions. I assume you could always ask the personnel manager before signing up for the audition if this information isn't available, but it seems like the sort of thing that should be transparent before candidates apply.

Two section positions were offered. Eugene Kim (Juilliard) won one of the positions. Additionally, two ordered runners-up were named. Isaac Berglind (freelance, Seattle) was the second runner-up. If anyone knows who won the other position and first runner-up, please let us know in the comments!

Julien Siino won Finalists were Luke Kim, Josh Morris, Emma Fisher

Finals were today, any results?